I love geometric sans serifs, their crispness and rationality. Le Havre taps into this style, but for a while, I've wanted to create a font recalling the printed Futura of the 1940s, which seems to have an elusive quality all its own. After seeing an old manual on a World War II ship, I developed a plan for "Le Havre Metal" but chose to shelve the project due to Le Havre's small x-height. That's where Steagal comes in. When Robbie de Villiers and I began the Chatype project in early 2012 (a project which led one publication to label me the Edward Johnston of Chattanooga!), we started closely studying the vernacular lettering of Chattanooga. During that time, I also visited Switzerland, where I saw how designers were using a new, handmade aesthetic with a geometric base. I was motivated to make a new face combining some of these same influences. The primary inspiration for the new design came from the hand-lettering of sign painters in the United States, circa 1930s through 1950s. My Chatype research turned up a poster from the Tennessee Valley Authority in Chattanooga, Tennessee, which exhibited a number of quirks from the unique hand and style of one of these sign artists. Completing the first draft of Steagal, however, I found that the face appeared somewhat European in character. I turned then to the work of Morris Fuller Benton for a distinctly American take and discovered a number of features that would help define Steagal as a "1930s American" vernacular typeface--features I later learned also inspired Morris Fuller Benton's Eagle. The overall development of Steagal was surprisingly difficult, knowing when to deliberately distort optical artifacts and when to keep them in place. Part of type design is correcting optical illusions, and I found myself absentmindedly adjusting the optical effects. In the end, though, I was able to draw inspiration from period signs, inscriptions, period posters, and architecture while retaining just enough of the naive sensibility. Steagal has softened edges, which simulate brush strokes and retain the feeling of the human hand. The standard version has unique quirks that are not too intrusive. Overshoots have almost been eliminated, and joins have minimal corrections. The rounded forms are mathematically perfect, geometric figures without optical corrections. As a variation to the standard, the “Rough” version stands as the "bad signpainter" version with plenty of character. Steagal Regular comes in five weights and is packed with OpenType features. Steagal includes three Art Deco Alternate sets, optically compensated rounded forms, a monospaced variant, and numerous other features. In all, there are over 200 alternate characters. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Steagal also includes support for all Western European languages. Steagal is a great way to subtly draw attention to your work. Its unique quirks grab the eye with a authority that few typefaces possess. Embrace its vernacular, hand-brushed look, and see what this geometric sans serif can do for you.

Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.

Meows Display Font is a fun and playful font that is perfect for a variety of design projects. This font features a unique paw print in place of a traditional dot over the letter "i" giving it a playful and whimsical feel. The Meows Display Font is a bold and attention-grabbing font that is sure to make a statement in any design. The paw print feature gives the font a touch of personality and quirkiness, making it ideal for use in children's books, animal-themed designs, and other creative projects. The Meows Display Font is designed to be used as a display font, meaning it is best used in larger sizes such as headlines, titles, and logos. The font includes a full set of upper and lowercase letters, as well as numbers and punctuation, making it a versatile and practical choice for designers. Overall, Meows Display Font is a fun and unique font that brings a touch of playfulness and quirkiness to any design project. Whether you're creating a children's book, designing a pet-themed product, or working on a logo, this font is sure to make your project stand out.

The signs of the Bosnian pyramids The pyramid researcher, Semir Osmanagic, began excavations in 2005 in Visoko, Bosnia, 30 km North from Sarajevo. Mr. Senad Hodocic, the curator at the local museum, pointed out at the pyramidal shape of the Visocica Mountain, which grabbed Osmanagic's attention. It is also suspected that the four adjacent hills, covered by plants and greenery, also hide the pyramids. The main sites of the excavations are called the Pyramid of the Sun and the Pyramid of the Moon, and the results achieved so far have already proved that those structures are man-made and artificial. The Pyramid of the Sun is bigger and older than the pyramid in Giza, which was built by Pharaoh Cheops 4600 years ago. Gábor Szakács, who went to the site in June 2006 for the first time, found the symbols on the megalithic blocks inside the tunnel of the Pyramid of the Sun, which correspond to the ancient Hungarian runic writings. Further information about the Bosnian Pyramids is available at the website http://www.piramidasunca.ba/. There are also researchers who do not accept the subject of the Bosnian pyramids. Time will tell the truth.

BRONKEY Typeface is a sans serif font that has a bold, sporty feel to it. It comes in several styles, including regular, italic, outline, square, and rough, providing a versatile range of options for designers. The font has a high body, making it stand out when used in large sizes, such as for headlines or titles. It contains 700 glyphs, including ligatures and alternates, allowing for greater flexibility and creativity in designing. Additionally, it supports PUA codes and is multilingual, making it accessible to a broad range of users. Overall, BRONKEY Typeface is an excellent choice for those looking for a modern, bold font with a range of styles and features. Its sporty feel and high body make it a great choice for projects related to sports, fitness, or any project that requires a dynamic, attention-grabbing font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Audacious is a quirky, confident and adorable serif type family across five weights in both text and display styles. This attention-grabbing retro typeface has an imperfect nature that embraces its quirks and irregularities, giving each font a distinctive and somewhat oddball personality. Its defining characteristics include large open counters, awkward stresses, large exaggerated wedge serifs, and voluptuous teardrop terminals. Whatever typographic compositions you create, Audacious will demand attention, making it perfect for titling, headlines, logotype, and branding projects. Take advantage of the 182 stylistic alternates to embellish your type and add that touch of class to titles and logos. Display weights work really well with close line spacing and stunning headlines are a breeze to create. Text weights make for a pleasant reading experience while packing all the punch and versatility found in the display variants. There are 20 fonts altogether, in Text and Display styles with weights from Regular to Black in both roman and italic. Audacious has an extensive character set that covers all Latin European languages. Key features: 2 Styles in Roman and Italic 5 weights: Regular, Medium, SemiBold, Bold, & Black 182 Alternates Full European character set (Latin only) 1100+ glyphs per font.

California Kingston display is a typography design product that is specifically created for use in the headlines, titles, or other prominent text elements of a design. This typeface is often characterized by its bold, attention-grabbing appearance and its ability to make text stand out on a page. The main goal of a California Kingston font display is to create an impact and draw the viewer's attention. This is typically achieved through the use of thicker and more pronounced strokes, unique shapes and design elements, and often, a more stylized appearance. California Kingston displays can be used in a variety of design projects, including posters, logos, packaging, advertisements, and more. They are often paired with complementary fonts to create a well-designed and cohesive visual identity. When choosing a California Kingston font display, it is important to consider the project's overall aesthetic and message, as well as the intended audience. It's also essential to ensure that the font is legible and easy to read, even at smaller sizes. Overall, a California Kingston font display is an excellent way to make a bold statement in a design and to capture the viewer's attention.

Creatives understand the compulsion to make something of worth. And each creative person has a toolbox they grab from often. Letterboard Lite is the narrow geometric sans that can headline or support whatever project is next on your list — the one unfussy tool you’ll use time and again. ‍ With its geometric shapes, Letterboard is a ground-floor sans that stabilizes the foundation upon which everything else will be built. It cements the context unobtrusively without begging to be acknowledged. Pair Letterboard with any script typeface and it will highlight that script’s qualities, whether capricious or elegant. Pair it with a serif or slab serif for an obvious change of tone: With a modern slab, trends will be respected, but it will act more coy with an old-school chunky slab. Letterboard’s geometry is easily subsumed as a partner to a range of serifs, from classics to the latest releases. These qualities and its narrowness make it easy for Letterboard to be used as a large display font in headlines or branding applications. ‍ Letterboard comes with 270 characters necessary for setting over 150 Latin-based languages: A–Z with diacritics, lining numerals, and the most common punctuation and symbols.

In 1925, at the request of Barnhart Brothers & Spindler, the foundry he worked for, Oswald Bruce Cooper designed a wide selection of "screamers", oversized exclamation points used to grab attention in display advertising. The foundry rushed the screamers into production, much to Cooper's dismay. Cooper was disappointed with the final form of the screamers– they were designed in assorted weights to match the assorted Cooper series of typefaces, as well as in a variety of other formal solutions- squaredoff, incised, wavy, Tuscan, and rounded. Cooper's working design methodology was to re-draw his projects a number of times in order to refine the formal results. However the screamer project was hastily cut by the head of BB&S's matrix engraving room in fourteen sizes from the initial sketches, causing Cooper to fire off a fiery missive stating, "Everything I draw is bum the first half-dozen times I draw it; the trouble with these is that I drew them only once!" This typeface is the result of researching Cooper's original drawings and series of engraved proofs for the screamers, as well as the original Screamer type specimen. Cooper Screamers have never been available before in digital format.

A year after the tremendous success of Memoriam in the "Lives They Lived" issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once more to tackle the same project for the 2009 issue. This time the magazine's design concept revolved around a typeface they created specifically for custom vertical malleability, and that can play just as well in single- or multi-color environments. The result was another iconic commemorative issue that shows exotic tri-line letters merging, swashing, extending and flourishing in stunning gold, silver and blue on black on the cover, and in black on white on the inside pages. Just like in the previous year, the issue won multiple publication design and typography awards. Crescendo is that typeface, finally issued for retail by public demand. Just turn your setting into outlines in your favorite vector program, grab single strands and extend away, and do your best alternating colours between strands. Crescendo comes with a limited punctuation set, but accented characters for Western Latin languages are included, and there many, many alternates and ligatures in there as well. This typeface is best used in large display sizes.

Introducing “JATUKIY Font” – Unleash Playful Creativity! Meet JATUKIY Font, your passport to a world of playful design possibilities. Designed with a whimsical touch, this display font brings a burst of fun to your projects. JATUKIY Font is your go-to choice when you want to infuse energy and a hint of cheekiness into your designs. Whether it’s children’s books, party invitations, or anything that needs a playful twist, this font is your creative ally. The distinctive style of JATUKIY Font is a visual treat. Its playful, bouncy characters instantly grab attention and leave a lasting impression. Let your designs speak volumes with the lighthearted charm of JATUKIY Font. Crafted with precision, this font’s unique design ensures that your message is delivered with a delightful twist. It adds a touch of humor and personality, making your content unforgettable. With JATUKIY Font, you have the power to create designs that stand out from the crowd. Infuse your projects with creativity, laughter, and a dash of whimsy, all with the help of JATUKIY Font. Elevate your design game and let your imagination run wild with this playful typeface. – PUA Encoded Characters – Fully accessible without additional design software.

PF Mellon is a modernist variable grotesque with mixed roots. Its unconventional aesthetic is the product of an exploration into the art of emphasizing titles, headlines and text in captivating and unpredictable ways. Contrary to conventional practices of highlighting text with heavier weights, PF Mellon proposes an intriguing new scheme based on striking and attention-grabbing compositions of narrow and extended letterforms- even when set in lowercase. Part geometric and part grotesque, PF Mellon’s expressionist alphabet and extravagant style challenge conventions of visual culture in an Art Deco-like manner. PF Mellon’s rebellious idiosyncrasy takes its cues from the eccentric personality of our popular PF Venue, an earlier geometric sans serif characterized by its daring combinations of non-uniform structures. PF Mellon’s basic design skeleton was influenced by nineteenth and early twentieth century condensed sans serif typefaces such as Stephenson Blake's Grotesque No.77 and ATF’s Alternate Gothic, adding an extra contrast to the thickness of strokes. PF Mellon is also available as a variable font format which you may request it free of charge from Parachute® once you purchase the whole type family.

To the sound of smooth jazz 50's and incendiary Rock'n'Roll dance of 60's Im glad to Introduce you the new product in my Vintage Voyage — The Big Tickle Font Family! Absolute useful collection! Firstly is playful serif. The range of weights can be used to maintain an even colour across different sizes. Use it normally or all caps and play with baseline, give more bounce to composition. Or try to use Caps alternates and get really bouncing letters. Alternates has every uppercase letter. Also, for more variety I add a few versions for decoration: Inner hatched and Offset with Shadow. Okay, folks! The second one is Script. I really love them, they look like was signed with true brush. It can be perfectly used both independently and in tandem with the serifs. And the last one is Retro Graphic! Authentic collection of typical design elements of 50's and 60's style of Poster, Books or Ads. You can create awesome retro patterns or use them individually. 124 graphic elements total. A-Z; a-z; 0-9. Multilingual. Grab this stuff and have a good time with Mid Century Modern Adventure!

Introducing by Teenage Foundry! Teenage Garde is a bold and neat display typeface font that exudes confidence and modernity. With its strong, clean lines and sharp edges, this font is designed to make a bold statement. Teenage Garde boldness gives it a commanding presence, making it ideal for designs that require attention-grabbing headlines or strong brand identities. Despite its simplicity, the font still manages to maintain a sense of elegance and sophistication. This makes Teenage Garde a versatile choice for a wide range of design projects, including advertising materials, logos, posters, and website headers. There are 2 styles, Regular & Extrude. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. For any questions please contact me 🙂 Thanks!

Galvantur is a sans serif font, suitable for a wide range of applications. The main characteristic of this font is the slightly alien feel it can invoke, allowing it to really appear different and stand out, comparative to what other sans serifs may look like. The multiple styles included can further help customize your designs and projects, whether it's a body of text or an attention grabbing title. For example switching a block of text from regular style to oblique, can drastically change the overall appearance and feel of said text. Comes in 7 different styles - Regular, Oblique, Bold, Bold Oblique, Outlines, Bold Outlines and Oblique Outlines. To get an idea of the various styles, please check out the preview pictures or use the preview field to type in text. A full list of the glyphs included in this font can also be seen in the preview images. Galvantur supports Latin and Cyrillic based languages. The font includes a single alternative character for the letter "h". Because of the lack of ligatures and alternates, the font is rather standardized and will work with any and all software/applications.

Clinto Slab Serif By. xdCreative Clinto Slab Serif is part of the Clinto Sans font family, built with geometric construction, strong contrast, and sharp lines. It combines the additional feature of ink traps. The font comes with a total of 18 styles and 9 weights, including their respective italic versions. Clinto Slab Serif is a type of font characterized by thick, rectangular serifs. It creates a strong, bold, and robust impression. With its distinct and bold serifs, the Clinto slab serif font is suitable for titles, headlines, and attention-grabbing text. Clinto slab serif font also has historical roots in the Industrial Revolution era and is commonly used in poster design, logos, branding, and editorial design. Special features: - Ink trap Ink traps are small recessed areas or notches incorporated into the corners or junctions of letterforms. They were originally designed for letterpress printing to prevent ink from filling in and distorting the shapes, especially at small sizes. However, in modern digital fonts, ink traps are often used as a design element to add visual interest and maintain legibility at small sizes or in low-resolution environments.

Introducing Cladey – Display Typeface A Striking Serif Display Cladey is a remarkable Display Typeface with a unique twist that sets it apart. Its central serif feature is the key to its stunning appearance. Captivating in Display Cladey is not just visually stunning; it’s also perfectly tailored for attention-grabbing displays. Its distinctive serif at the center adds an extra layer of elegance that captivates the eye. Versatile for Various Designs Going beyond its captivating display prowess, Cladey also boasts versatility. It seamlessly harmonizes with a wide range of creative projects, making it a font of choice for designers seeking flexibility. A Display Typeface with Impact Cladey ensures that your content exudes an aura of elegance and leaves a significant impact on your audience. It commands attention and resonates with viewers, ensuring a memorable experience. In Conclusion In summary, Cladey – Display Typeface is a font that truly stands out in the world of display typography. Its unique central serif feature adds stunning elegance to your projects. Whether it’s for branding, posters, or various creative endeavors, Cladey’s versatile and impactful design caters to a broad readership, ensuring your content leaves a lasting and striking impression.

Kate Slab Pro is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro is its biggest asset in world of uniformity. Ranging from "100 Thin" all the way to "900 Black" makes Kate Slab Pro such an amazing and versatile font family that stands out. Kate Slab Pro doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer's needs, Kate Slab Pro comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro.

Presenting 🕌Yulltan Ramadan Typeface🕌 by alitdesign. Yulltan Ramadan Typeface is a beautifully crafted font product with a unique style that is perfect for religious and Islamic designs. This font is specifically designed to cater to the design needs of the Ramadan promotion, and it has a distinctively Islamic and religious vibe that is sure to impress your audience. One of the standout features of Yulltan Ramadan Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages. With 869 glyphs characters, Yulltan Ramadan Typeface offers a wide range of characters, allowing users to create stunning designs with various styles and options. The font's characters are well-crafted and easily readable, making it an ideal choice for any design that requires an Arabic font. As a bonus, Yulltan Ramadan Typeface comes with Yulltan Dingbats font, which includes a collection of beautifully crafted Islamic symbols and ornaments. These extra glyphs can be used to add a unique and personal touch to your designs, making them stand out even more. In summary, Yulltan Ramadan Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other religious and Islamic design projects. With PUA Unicode support, multilingual characters, 869 glyphs characters, and a bonus Yulltan Dingbats font, this product is sure to meet all of your design needs. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Pan-European family has 17 fonts in total, supporting the W1G character set. It spans six weights from ultra light to heavy, each with an italic complement. In addition, three condensed designs and two monospaced (typewriter) typefaces were drawn to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity. While the family is also large enough to manage complicated typographic hierarchy, SST pairs handsomely with typefaces as far reaching as ITC Berkeley Old Style®, Meta®, PMN Caecilia®, Malabar® and Neue Swift®.

Albion Signature is a value packed font of exceptional character, with lots of old world charm to make your next project personal and special. Containing over 2,200 glyphs, it’s large enough to handle any demanding project, big or small. It also contains over 400 flourishes in three sections (dingbats, geometric shapes, and misc. geometric shapes) in numerous styles, that can be used in endless combinations. It’s like several fonts in one. Everything you need to do a stellar project is included. A script font that lines up perfectly with a few extra endings and hidden treasures spread throughout. It also contains a complete easy to use PDF index, so you will be able to find exactly the glyph you are looking for fast. This font can only enhance the fonts that you already own, making them more versatile and useful. On its own, it is a very elegant calligraphy script, that will make every project you create look great. The capital letters overlap and intertwine just like in days gone by, for a unique style. Also included are tools that can give you very precise spacing, right inside a word processor. Usage: Photoshop styles, InDesign, personal promotion logos, monograms & signatures.... That’s where it shines, yet it’s still great for art, cards, fancy documents, really fancy labels & even notes to Mom. Imagine, most people used to write letters like these at one time. Now you too can have documents that look like the work of a studied penman.

A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-catching forms are an oblique tribute to the less-predictable style of brush lettering, and contain daring, elegant curves, economical proportions, and a slight top-heavy asymmetry. Its warmth comes from the subtle emphasis on the structures and details of individual letterforms, whereas its solidity is demonstrated through its balanced rhythm over long spans of text. Each font supports over 75 languages and is hand-tuned for a pleasing legibility and aesthetic both in print and on screen. This type family makes an excellent choice for presentations, articles, branding, and advertising. Available in 14 styles, Iskra represents a fresh, stimulating, forward-looking perspective on how we see both the vitality of the particular letter and the overall harmony of text. Iskra is available in three different character repertoires: Iskra, complete set — Iskra CYR, Cyrillic-based subset with a Latin supplement — Iskra Cyr, Latin-based subset. Both the LAT and CYR series conform to most standard codepages used by typical software covering their respective scripts. All three series have similar OpenType functionality."

JT Olifer is family font of Jolicia Type designed by Laire Banyu Sandi Pawenang in October 2021, JT Olifer inspired by Modern Typography developed by us in our perspective, with a typeface detail in every corner we make more rounded, and give an inktrap accent to make unique impression special in every glyph, we really consider about aspect legibility, therefore we make family font amount 40 to assist the selection according to visual needs. Font type of JT Olifer contains several nuances that combain aesthetic, contemporary and modern, furthermore we make some alternates glyph that have a friendly and subtle impression, for example ‘f’ the alternate of this name our font we designed is more circular and smooth. JT Olifer has a total of 465 letters with regular, slanted and condensed styles support in 90 languages : Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch Embu English Esperanto Estonian Faroese Filipino Finnish French Friulian GalicianGanda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalaallisut Kalenjin Kamba Kikuyu Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Meru Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Walser Zulu

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. Carol Twombly designed this Caslon revival for Adobe in 1990, after studying Caslon's own specimen sheets from the mid-eighteenth century. This elegant version is quite true to the source, and has been optimized for the demands of digital design and printing. Adobe Caslon? makes an excellent text font and includes just about everything needed by the discriminating typographer: small caps, Old style Figures, swash letters, alternates, ligatures, expert characters, central European characters, and a plethora of period ornaments.

The main inspiration is from Art Nouveau which flourished in Europe at the end of the 19th and beginning of the 20th centuries. This design included furniture (Majorelle, Lalique) and architecture (Victor Horta, Henry Van de Velde, Gaudi, Alfons Mucha). But Hector Guimard remains the favorite for all aspects of its art and, of course, its typefaces used on the Parisian Metropolitan posters. In particular, the various kerning of the various letters he used to make the poster a whole design from singular designs, leading to numerous variations. As a designer, I first worked with the individual glyphs Hector Guimard designed and I discovered that they vary constantly from a poster to another, depending on the overall result he was looking for. Another difficulty in transferring his design to printing is that there was no lower case. I was excited to create the whole font from the original designs of Hector Guimard, incorporating its variations and "crazy kerning". After several attempts, it appeared to be impossible to include all variations and I slightly moved to my own new design as a complete font, upper and lower case, with kerning. I voluntarily limited the ascenders and descenders to the usual typography so that it can be used from 10 / 12 points. This version can be used to edit letters and books in the context of Art, specially Art Nouveau and Art Deco of course, posters of any kind.

Zira is a playful hand-drawn font family designed by Daniel Bak (Artcity). It is available in three handy weights: regular, bold and screaming. It contains international language accent marks and diacriticals, including Greek and Cyrillic. Zira can be considered as smoothed serif version of Cornelius font. Zira as Cornelius as well is a chimpanzee character in the novel and movie series Planet of the Apes. Dr. Zira is a chimpanzee psychologist and veterinarian, who specializes in the study of humans, in the novel and subsequent movie series Planet of the Apes. Zira was played in the first three Apes movies by actress Kim Hunter. Unique among the Apes characters, Zira has blue eyes. Zira is the fiancée (later wife) of Cornelius, and both are ultimately responsible to the Minister of Science, Dr. Zaius. Zira's character and role are essentially the same in both the novel and the movies, though some story details differ. Her work in each involves both working with humans under laboratory conditions (e.g. learning and behavioural experiments), and working on them physically (lobotomy and other brain surgeries, vivisection, physical endurance and tolerance experiments, and subsequent autopsies). Zira is an outspoken liberal by nature, deploring war and militancy (and despising the gorillas, who seem to make both a way of life), and eager to seek and develop intelligence anywhere it can be found. Zira literally stands for her principles - or refuses to stand, as the case may be.

Linotype Bengali, a revival This project by Neelakash Kshetriymayum and Fiona Ross commissioned by Monotype is at heart a revival of the now ubiquitous original Linotype Bengali typeface designed by Tim Holloway and Fiona Ross (1978-1982) based on Ross’s research for her doctoral studies in Indian Palaeography. The new Linotype Bengali is informed by more recent research by Ross and Kshetrimayum resulting in additional glyphs that serve contemporary needs in a variety of genres – the original had been specifically designed for newspaper composition and in now outdated digital formats. The new design makes use of OpenType features with the employment of contextual vowel signs for Bengali – a feature that Ross and Holloway had first introduced in Indian scripts for the Adobe Devanagari typeface – and has sophisticated contextual mark positioning. Furthermore, whereas the original design had existed in only two typestyles, extensive work has been undertaken to produce this new design in 5 weights: Light, Regular, Medium, Bold and Black. It has been an important aspect of this project to remain true to the original design concepts, and so to achieve optimal readability for sustained reading at small type-sizes, but the additional weights enable differentiation in document design, and afford users scope to produce textural variety in their outputs. This revival design is intended to widen the hitherto very limited palette of typographic choices in the field of textual communication in Bengali, Assamese and other languages that make use of the Bengali script.

Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids. The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details. Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts). • Suggested uses: born to allow you to change the weight of a word without losing the text alignment, Bakemono can both excel at text size in its regular widths optimised for legibility as well as owning the page at display size with its uncommon design details. Perfect for contemporary branding, web design, packaging and countless other projects; • 21 styles: 7 weights x 3 different styles + 1 variable font; • 839 glyphs in each weight; • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Ordinals, Scientific Inferiors, 7 Stylistic Sets, Subscript, Superscript, Slashed Zero • 217 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Flece Display - Modern Sans Font is a versatile font that offers the perfect blend of modern style and elegance. It features two distinct styles: calligraphy and sans serif, providing a unique combination that is both luxurious and contemporary. This font is well-suited for various design projects, including logos, titles, book covers, headlines, magazines, products, invitations, and weddings, where a touch of sophistication and visual impact is desired. In addition to its stunning aesthetic, Flece Display also offers a range of features and a comprehensive font package. The font includes both calligraphy and sans serif styles, allowing you to switch seamlessly between the two to achieve the desired look for your design. It provides an extensive collection of characters and glyphs, ensuring versatility and creative possibilities. With its modern and elegant style, Flece Display - Modern Sans Font is the ideal choice for creating impactful and visually stunning designs. Whether you're designing a logo for a high-end brand, crafting attention-grabbing titles, or creating sophisticated invitations, this font will elevate your design projects with its luxurious and contemporary aesthetic. With its versatile features and comprehensive font package, Flece Display offers both convenience and creative flexibility, making it a valuable asset for designers.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Tropical Jungle is a fun wild font, inspired by the wild life of the jungle. Inspired by the tropical rainforests of South America, Africa, and Asia, this font will inspire you to get out there and explore! Tropical Jungle is a bold, quirky typeface that captures the joyous spirit of life on earth or at least, of the parts we’re most familiar with: monkeys swinging through trees, tigers stalking their prey through the jungle, butterflies flitting from flower to flower. You can tell just from looking at it that this is going to be a fun-loving font that will bring a smile to your face and a bounce to your step. With over 500 glyphs, this stack of jungle animals will be a joy to use! We made sure our font was easy to read in any application so you don’t have to worry about your documents cluttering up. We know you can’t wait to get started using it in your next project. So go ahead! Grab Tropical Jungle now! A Million Thanks Colllab Studio www.colllabstudio.com

Kate Slab Pro Ultra Expanded is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro Ultra Expanded is its biggest asset in world of uniformity. Ranging from “100 Thin” all the way to “900 Black” makes Kate Slab Pro Ultra Expanded such an amazing and versatile font family that stands out. Kate Slab Pro Ultra Expanded doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer’s needs, Kate Slab Pro Ultra Expanded comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro Ultra Expanded manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro Ultra Expanded.

DIGOT 03 is an innovative two-font family that blends minimalism and geometric precision to create a visually striking and modern design. These fonts are perfect for those seeking a clean and contemporary look for their projects. --- Usage Recommendations DIGOT 03 is a font that thrives in environments where simplicity and clarity are valued. It works exceptionally well in both digital and print formats. Consider using DIGOT 03 in the following situations: Web Design: DIGOT 03 can add a touch of modernity to website designs, providing a clean and contemporary experience for users. Poster Design: Whether creating event posters or advertising material, DIGOT's bold and eye-catching letterforms make it a perfect choice for grabbing attention. Logo Design: This font, despite its very experimental approach, can help establish a strong and memorable brand identity. Its simplicity allows the logo to be easily recognizable and versatile across various marketing channels. Iconography: As DIGOT 03 is built upon geometric principles, it excels in creating visually appealing icons and symbols that follow the same minimalist style. --- DIGOT 03 is the perfect font for designers and creatives who appreciate simplicity and have a keen eye for detail. With its unique minimalist geometric style, DIGOT offers endless possibilities for creating clean and impactful designs.

Introducing Kunhety, a groovy retro font display perfect for bringing a vintage touch to your designs. This font features bold and quirky letters that will make your projects stand out and evoke a feeling of nostalgia. Whether you’re working on a poster, or an album cover, or want to add some retro vibes to your latest project, Kunhety is the perfect font for you. With a range of alternative characters and multilingual support, this font is versatile and ready to add some groovy flavor to your work. Don’t miss out on the opportunity to elevate your designs with Kunhety. Furthermore, Kunhety is user-friendly and easy to use. Making it compatible with a wide range of software and devices. And with its clear and distinct letterforms, it’s sure to grab the attention of your audience and leave a lasting impression. So, add a touch of retro cool to your next project with Kunhety today! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Imagine a world filled with swirls of strawberry, pops of pink, and pure joy to go around for everyone... Are you trying to make an elegant, sweet, and stylish statement with your invitations, social media, website, or printed materials? Then grab some cotton candy, crack a smile, and get ready for a swirly day of wonders! Introducing Strawberry Swirl - A Modern Script Font. This gorgeous & stylish font can be used for a host of different content needs and projects. Use it for your headings, logos, business cards, printed quotes, invitations (wedding, birthday, engagement, etc.), packaging, resumes, and even your website or social media branding. Enchant & delight your audience, clients, or guests with this versatile, stylish, and elegant font. What you’ll get: - Multilingual & Ligature Support - Full sets of Punctuation and Numerals Compatible with: - Adobe Suite - Microsoft Office - KeyNote - Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Adero is a futuristic and versatile display font family designed to meet the needs of modern design projects. With its wide and minimalist style, Adero offers designers a unique blend of futuristic and functional design elements that make it a perfect choice for a wide range of applications. Featuring nine weights, from Thin to Black, and matching obliques, Adero provides designers with a wide range of options to choose from when creating designs. The font’s letterforms are carefully crafted with attention to detail, resulting in a modern, clean look that is both attractive and easy to read. Adero’s minimalist design makes it ideal for a variety of design applications, including branding and logo design, product design, advertising, web and various digital design. The font’s wide proportions and large x-height make it a great choice for bold and attention-grabbing designs, while its sleek and functional style makes it perfect for more understated design applications. Whether you’re creating a futuristic poster or a sleek website design, Adero is a versatile and powerful tool that can help you achieve your design goals. With its unique blend of wide proportions, minimalist design, and futuristic style, Adero is an excellent choice for any modern design project.